Àª¸®¾ö ºí·¹ÀÌÅ©(William Blake)´Â ÇÁ¶û½º Çõ¸í Á÷ÈÄ¿¡ ±× ¿µÇâÀ¸·Î, ½Ç³«¿ø(Paradise Lost)¿¡¼ÀÇ »çźÀÌ ¹ÐÅÏÀÇ ÁøÁ¤ÇÑ ¸Þ½Ã¾Æ¿´´Ù¸é¼, ´ÜÅ×ÀÇ 'Äڹ̵ð(Commedia: ÀϺ» Çѱ¹¿¡¼ ½Å°îãêÍØÀ¸·Î ¹ø¿ªµÈ, ±ÝÀ¶¾÷ÀÚµé°ú ºÎÆÐÇÑ ±³È²µéÀ» ÀúÁÖÇß´ø Ã¥)'ÀÇ Àå¸éµéÀ» ÆÇȵé·Î °çµé¿©¼ »ê¹®°ú ½Ãµé·Î ´Ù½Ã ÆÐ·¯µð Çϸç 'õ±¹°ú Áö¿ÁÀÇ °áÈ¥(The Marriage of Heaven and Hell)'À̶ó´Â Ã¥À» ¹ßÇ¥Çß½À´Ï´Ù.
"If the doors of perception were cleansed, every thing would appear to man as it is, Infinite.
For man has closed himself up, till he sees all things thro' narrow chinks of his cavern."

The Marriage of Heaven and Hell (1793) / William Blake
Âû½º ´ÙÀ©ÀÇ µ¿·áÀÌÀÚ ¶óÀ̹úÀ̾ú´ø ¿µ±¹ÀÇ ÁøÈ·Ð »ý¹°ÇÐÀÚ Åä¸Ó½º Çä½½¸®(Thomas Henry Huxley). ±×´Â ½É°¢ÇÑ ¿ì¿ïÁõÀÌ ÀÖ¾ú´Âµ¥, Èļյ鵵 ÀÚ»ìºÎÅÍ ºñ½ÁÇÑ À¯ÀüÀûÀÎ ¹®Á¦µéÀÌ ÀÖ¾ú´Ù°í ÇÕ´Ï´Ù.
±×ÀÇ Á¦Àڷμ ¼Ò¼³ '¿ìÁÖÀüÀï(The War of the Worlds: ¼¼°è°£ ÀüÀï)'À̳ª '¸ð·Î¹Ú»çÀÇ ¼¶(The Island of Doctor Moreau: ¿µÈ ´ÚÅÍ ¸ð·ÎÀÇ DNA ¿øÀÛ)'À» ¹ßÇ¥ÇßÀ¸¸ç, »çȸÁÖÀÇ¿¡ ½ÉÃëÇØ¼ ºí¶óµð¹Ì¸£ ·¹´ÑÀ» ÀÚÁÖ ¸¸³ª±âµµ Çß¾ú°í ³ªÁß¿¡´Â '¼¼°è ´ÜÀÏÁ¤ºÎ(World Government)'¶ó´Â ³«°üÀûÀÎ À̻󼼰踦 ±¸»óÇϱ⵵ Çß´ø ¿µ±¹ÀÎ H.G. À£Áî(Herbert George Wells)°¡ ÀÖ½À´Ï´Ù.
Åä¸Ó½º Çä½½¸®ÀÇ ¼ÕÀÚÀÌ¸é¼ µð½ºÅäÇÇ¾Æ ¼Ò¼³ÀÎ '¸ÚÁø ½Å¼¼°è(Brave New World)'¸¦ ¹ßÇ¥Çß´ø ¿Ã´õ½º Çä½½¸®(Aldous Leonard Huxley)´Â
Àª¸®¾ö ºí·¹ÀÌÅ©ÀÇ 'õ±¹°ú Áö¿ÁÀÇ °áÈ¥(The Marriage of Heaven and Hell)'¿¡¼ ¿µ°¨À» ¾ò°í 'Áö°¢ÀÇ ¹®µé(The Doors of Perception)'À̳ª 'õ±¹ ±×¸®°í Áö¿Á(Heaven and Hell)'À̶ó´Â ¿¡¼¼À̸¦ ¹ßÇ¥Çß½À´Ï´Ù.

The Doors of Perception (1954) / Aldous Huxley
¿Ã´õ½º Çä½½¸®ÀÇ ÇüÀº 2Â÷ ¼¼°è´ëÀü Á÷ÈÄ À¯³×½ºÄÚ¸¦ ⸳ÇÑ ÃÊ´ë »ç¹«ÃÑÀåÀÌÀÚ ÁøÈ·Ð »ý¹°ÇÐÀÚ ¶ÇÇÑ ¿µ±¹ ¿ì»ýÇÐȸ ȸÀåÀ̾ú´ø ÁÙ¸®¾ð Çä½½¸® °æ(Sir Julian Huxley)À̸ç, À¯³×½ºÄÚ Çѱ¹À§¿øÈ¸´Â Çѱ¹ÀüÀï Á÷ÈÄ ¸íµ¿¼º´ç ±Ùó¿¡ ¼³¸³µÇ¾ú½À´Ï´Ù. ÁÙ¸®¾ð Çä½½¸®´Â À¯³×½ºÄÚÀÇ Á¤Ã¥Àº ÁøÈ·Ð¿¡ ±â¹ÝÇØ¾ß Çϸç, ¼¼°è ´ÜÀÏÁ¤ºÎ¿¡ ´ëÇÑ °èȹÀ» ¼ö¸³ÇØ¾ß ÇÑ´Ù°í ÁÖÀåÇß½À´Ï´Ù.
Çä½½¸®ÀÇ ¶Ç´Ù¸¥ ÇüÁ¦·Î ³ëº§ »ý¹°ÇÐ,ÀÇÇлó ¼ö»óÀÚ ¾Øµå·ù Çä½½¸® °æ(Sir Andrew Huxley)µµ ÀÖ½À´Ï´Ù.
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